“Julianne Pachico’s The Lucky Ones offers a blunt, fresh and unsentimental look inside Colombia’s last thirty bloody years. . . . An enjoyable and freaky joy ride. . . . What really drew me in is her ability to describe emotions. . . . Pachico conveys the fear that Colombian children grow up with—she made that pit in my stomach open up again. . . . At the end you’ll come out of this ride with a better understanding of Colombia’s surreal state of affairs. . . . [She creates] a millennial’s view (not a criticism!) of the complexities of Colombia, full of existential angst and funny details. . . . Go to Pachico’s Colombia.”—Silvana Paternostro, The New York Times Book Review

“[A] brilliantly wacked-out collection of linked stories about Colombia’s long civil war.”—NY Mag

“Thrilling . . . The Lucky Ones is no ordinary coming-of-age novel. Julianne Pachico’s remarkably inventive debut navigates what it means to grow up wealthy amid the reality of conflict in Colombia. . . . [It] roil[s] conventions of form and narrative . . . with plenty of twists and turns in between. . . . In tackling the challenge of delineating childhood life and brutal war, of untangling the ordinary and the extraordinary, Pachico dares to disorient her readers. . . . ‘History is and is not ephemeral; situations and events evaporate, but their moral and intellectual residue does not,’ Cynthia Ozick wrote in the introduction to her collection of essays Quarrel and Quandary. In The Lucky Ones, Pachico has shaped that residue into constantly surprising form. History, she recognizes, is only the beginning.”The Atlantic
“Relentlessly rewarding . . . with traces of Gabriel García Márquez’s News of a Kidnapping, Pachico’s unapologetically immersive first novel brings life to a South American struggle often forgotten in global headlines.”—Booklist

“An expansive tapestry of a debut.”Elle

“Riveting . . . [A] carefully yet fiercely composed collage of voices that bears witness to the executions, forced disappearances, and other atrocities that took place in Colombia from 1993 to 2013 during the country’s violent civil war . . . [A] searing glimpse into the conflict . . . Having lived in Colombia until she turned eighteen, Pachico has a firsthand connection to the country’s charms and troubles that shines through on every gripping page.”Publishers Weekly (starred review)

“Julianne Pachico’s tough and stunning novel set in both the Colombian and New York drug jungles kept this reader up all night and made her double-check that her front door was locked tight.”—Lily Tuck, National Book Award–winning author of The News from Paraguay and The Double Life of Liliane

“Julianne Pachico takes a hammer and brings it down on the superficial gloss of history, piecing the fragments into a kaleidoscopic collage that tells a deeply observed, stylistically adventurous, and emotionally riveting story of people caught up in the violence of Colombia’s guerrilla insurgencies. Moving effortlessly between the surreal and the real, sometimes in the space of a single sentence, Pachico delivers one of the most original and mesmerizing debuts I’ve read in years.”—Marisa Silver, New York Times bestselling author of Little Nothing and Mary Coin

“Every episode of The Lucky Ones enlivens and unsettles in its own way. Their cumulative power derives from the way they expose the fragility of any kind of security, and the interconnectedness of lives across gulfs of time and society. It’s a riveting work of fiction.”—James Scudamore, award-winning author of Heliopolis and The Amnesia Clinic

“[An] unforgettable whirlwind of a debut . . . Taken alone—and some have been published as such—the chapters work as complete short stories, full worlds as vibrant and jarring as fever dreams. But together, they form something much larger, revealing a complicated and morally ambiguous web of interconnecting lives. Unsettling and pulsing with life; a brilliantly surreal portrait of life amid destabilizing violence.”Kirkus Reviews (starred review)

“The volatile, concentrated world of The Lucky Ones immediately surrounds the reader. We are compelled to follow Julianne Pachico deep into the fears, fantasies, and denials of her characters, whose susceptibilities we must recognize as our own.”—Lavinia Greenlaw, author of A Double Sorrow